DR-50, CD ltd.250 / DL

Originally conceived for the Korzo production Hide and Seek by choreographer Iván Pérez.

Rutger Zuydervelt (Machinefabriek):

In 2012, choreographer Iván Pérez asked me to work on a score for a dance piece of his called “Hide And Seek” in collaboration with the great Aaron Martin. I don’t think he knew at that point that Aaron and I had worked together previously (on “Cello Drowning,” an EP released on Type in 2007). Living in the US, Aaron started recording parts and sending them to Iván and me. Then, I would use his recordings to build the score: processing them, editing them, adding sounds, etc..

The tracks on the “Seeker” album are basically the refined versions of the first sketches we made, trying out how our sounds would blend, and what directions and atmospheres could be used in the dance performance. After that, these tracks were morphed into one long collage, tailored to the choreography. This final score is added to the album as a digital bonus.

Aaron Martin:

Iván Pérez had used some of my solo work in a previous dance piece of his called “Kick the Bucket” and Rutger and I have been in touch since the release of my debut album “Almond.” Rutger and I met briefly after I performed in Amsterdam in 2009, but the creation of “Hide and Seek” gave us an opportunity to continue our work together and to spend a bit more time in person leading up to the premiere in The Hague. During rehearsals, we both agreed that creating an album version with separate tracks along with the long-form version that was used for the actual dance piece was the right approach. My time in Holland was a formative experience and the resulting album “Seeker” is something that I continue to remember fondly. I am eager to finally share this music with listeners.

This has been a long way coming. After some unforeseen delays, we are thrilled to be working with Dronarivm for the release of “Seeker.”


Machinefabriek is the alias of Rutger Zuydervelt. His music combines elements of ambient, noise, minimalism, drone, field recordings and electro-acoustic experiments. The music can be heard as an attempt to create sonic environments for the listener to dwell in. Finding tension in texture, tone and timing, the result can be very minimalistic at first glance, but reveals itself upon closer listening. The devil is in the details. www.machinefabriek.nu


Aaron Martin began his musical life at age 11, switching between guitar and drums. At the age of 17, he decided to change paths and learn how to play cello, which he went on to study in college. While earning his music degree, he began to experiment with recording. After creating several self-released collections of music, and graduating from college, he recorded Almond, which caught the attention of the Australian label Preservation, and became his debut release. He has gone on to record two more albums for Preservation, River Water and Chautauqua, as well as one album for Experimedia called Worried about the Fire and most recently Comet’s Coma for Eilean Records.  He has also collaborated with a variety of other musicians, including Machinefabriek, Part Timer, Dawn Smithson (as Winter’s Day), Dag Rosenqvist (as From the Mouth of the Sun), and Christoph Berg with releases on Type, Dronarivm, Facture, and Under the Spire Recordings. Aaron Martin lives and records in Topeka, Kansas. https://aar0nmartin.wordpress.com


  • Mastered by James Plotkin
 CD price : 10 €
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